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Author: Dr.Charles Gore

Copyright 1998-2009


Fage, J.D., 1962, Some Remarks on Beads and Trade in Lower Guinea in the 16th century and 17th Century, Journal of African History 3, 2.

Fage, J.D., 1980, A Comment on Duarte Pacheco Pereira's Account of the Lower Guinea Coastlands in his Esmeraldo de Situ Orbis and some Other Early Accounts, History in Africa, 7.

Fage, J.D., 1981, More about Aggrey and Akori Beads, (ed.) Mauny, R., Le Sol, La Parole et L'Ecrits: 2000 Ans d' Histoire Afrique: Melanges en Homage a Raymond Mauny, Paris: Societe Francais d'Histoire d'Outre-mer.

Fagg, W., 1947, Ancient Benin: Art of Primitive Peoples: A Catalogue of an Exhibition Held December 1947-january 1948, No.18, Berkely Galleries: London.

Fagg, W., 1950, A Bronze Figure in Ife Style at Benin, Man, 50, 98.

Fagg, W., 1951a, Tribal Sculpture in the British Colonies, Journal of the Royal Society of Arts, 99, 4852 July.

Fagg, W., 1951b, Tribal Sculpture and the Festival of Britain, Man 51, 124.

Fagg, W., 1952, A Nigerian Bronze Figure from the Benin Expedition, Man, 52, 210.

Fagg, W., 1953a, The Allman Collection of Benin Antiquities, Man, 53, 261.

Fagg, W., 1953b, The Webster Plass Collection of African Art, London: British Museum.

Fagg, W., 1956, The Art of Benin and Ife (Summary of Lecture), Proceedings of the International West Africa Conference.

Fagg, W., 1957, The Seligman Ivory Mask from Benin, Man, 57, 143.

Fagg, W., 1958a, On a Benin bronze Plaque Representing a Girl, Man, 58, 154.

Fagg, W., 1958b, Die Afrikanische Plastik, Cologne.

Fagg, W., 1959a, Ife and Benin: Two Pinnacles of of African Art, The Unesco Courier, 10.

Fagg, W., 1959b, Afro-Portuguese Ivories, Batchworth Press.

Fagg, W., 1959c, Vergessene Negerkunst, Prague.

Fagg, W., 1960, Nigerian Tribal Art (Exhibition Catalogue of Arts Council of Great Brtiain), Kenion Press Ltd.: England.

Fagg, W., 1961, Nigeria:2000 Jahre Plastik (Catalogue of an Exhibition 29 september 1961-7 january 1962), Kunstalle: Munchen.

Fagg, W., 1962, Jahre Plastik (Catalogue of an Exhibition 20 january-18 february 1962), Kunstalle: Basel.

Fagg, W., 1963a, Nigerian Images. Percy Lund, Humphries & Co. Ltd., London.

Fagg, W., 1963, Bilderwerke aus Nigeria, Munich.

Fagg W., 1965a, Tribes and Forms in African Art, New York.

Fagg, W., 1965b, Nigerian Bronze Mask, Burlington Magazine 107, 745.

Fagg, 1966, Nigerian Tribal Art, Arts Council of Britain: London 

Fagg, W., 1970a, Divine Kingship in Africa, British Museum, London.

Fagg, W., 1970b, The Tribal Image, London.

Fagg, W., 1971, The Living Arts of Nigeria, Macmillan, London.

Fagg, W., 1977, The Great Belzoni, West Africa, 3130.

Fagg, W., 1980, Masques d'Afrique, Musee Barbier-Mueller, Geneva.

Fagg, W., 1981a, Benin: The Sack that Never Was, (ed.) Kaplan, F. S., Images of Power: Art of the Royal Court of Benin, New York: New York University.

Fagg, W., 1981b, In Praise of Owo, (eds.) Powey, J., and Rubin, A., Observations and Interpretations: 2000 years of Nigerian Art, Occasional Papers 23, African Studies Centre, University of California.

Fagg, W. B., 1986, Odudua's Drum: Sibylline Books and Some Other Problems in Ife and Benin studies, (ed.) Bassani, E., Arte in Africa,. Modena, Edizioni Panini.

Fagg, W., 1991, One Hundred Notes on Nigerian Art from Christie's Catalogues 1974-1990, (ed.) Bassani, E., Quaderni Poro 7.

Fagg, W., 1992, Le Pillage Qui n'eut pas Jamais Lieu, Barbier, J.P., (ed.), Art Royal du Benin - Royal Art of Benin, Bulletin Published by the Friends of the Barbier-Mueller Museum special issue June.

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Fleming, S., 1979, Of Igueghae and Iguneronmwon, MASCA Journal no.1, 2.

Foote, H.S., 1938, Two Bronzes Acquired by Cleveland Museum, Cleveland Museum Bulletin, 25, 3.

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Forbes, H.O., 1898, On a Collection of Cast Metal from Benin, Bulletin of the Liverpool Museum 1, 2.

Forbes, H.O., 1900, Cast Metalwork from Benin, Bulletin of the Liverpool Museum.

Foreign Office, 1894, Correspondence Respecting the Disturbances and the Operations against Chief Nana, HMSO: London.

Foreign Office, 1897, Papers Relating to the Massacre of British Officicials near Benin and the Consequent Punitive Expedition, HMSO: London.

Forkl, H., 2002, Cui Bono? - Kritische Anmerkungen zu Datierungsverfahren fur die Sonderausstellung Ife, Akan und benin im Schmuckmuseum Piorzheim, Tribus, 51

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Foy, W., 1898, Ethnographische Objekte von Benin, im Koniglich Ethnographischen Museum Dresden, Dresdener Journal 152/3

Foy, W., 1900-1, Zur Frage nach der Herkunft einiger alter Jagdorner aus Elfenbein: Portugal oder Benin? und Anhang: Bibliografie uber Benin, Abhandlungen und Berichte Koniglichen Zoologischen und Anthropologisch-Ethnographischen Museums zu Dresden, 9.

Foyle, A.M., 1950, Nigerian Architecture, Geographical Magazine, 23.

Foyle, A.M., 1953a, Houses in Benin, Nigeria, 42.

Foyle, A.M., 1953b, Some Aspects of Nigerian Architecture, Man, 53, 1.

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Fraser, D., 1972a, The Fish-legged Figure in Benin Art, (eds.) Fraser, D., and Cole, H., African Art and Leadership, Madison.

Fraser, D., 1975, The Tsoede Bronzes and Owo Yoruba Art, African Arts, 8, 3.

Fraser, D., 1972b, Correspondence, Art Bulletin 54, 3.

Freyer, B., 1987, Royal Benin Art, Wasington, D.C.:National Museum of African Art, Smithsonian Institution Press: Washington.

Frohlich, W., 1960, Das Westafrikanische Elfenbeinhorn aus dem 16. Jahrhundert im Reut im Reutenstrauch-Joest-Museum, Ethnologica, N.F. 2.

Frohlich, W., 1966, Die Benin Sammlung des Rautenstraauch-Joest-Museum, Ethnologie, N.F., 3.

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