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Author: Dr.Charles Gore

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Ben-Amos, D., 1967b, Storytelling in Benin, African Arts, 1, 1.

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Ben-Amos, D., 1971, Musical Instruments from Benin (in Hebrew), Tatzli, 11.

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Ben-Amos, D., 1972b, The Elusive Audience of the Benin Storyteller, The Journal of the Folklore Institute, 9.

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Ben-Amos, D., 1975c, Review of Osemwegie Ebohon "Cultural Heritage of Benin, Midwest Corporation Newspapers: Benin City. 

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Ben-Amos, D., 1987, Animals in Edo Visual and Verbal Arts, Word and Image, Vol.3 No.3.

Ben-Amos Girshick, P., 1967a, Ben Osawe: A Modern Nigerian Sculptor, Nigeria Magazine, 94.

Ben-Amos Girshick, P., 1967b, The Bini Woodcarver: A Study of Handicrafts in Social Change, African Urban Nes, 2, 2.

Ben-Amos Girshick, P., 1968, Bibliograpy of Benin Art, Primitive Art Bibliograpies 6, New York: The Museum of Primitive Art.

Ben-Amos Girshick, P., 1971, Social Change in the Organisation of Woodcarving in Benin City Nigeria, Ph.D. Dissertation, Dept. of Anthropology, Indiana University.

Ben-Amos, Girshick P., 1973, Symbolism in Olokun Mud Art, African Arts 6.

Ben-Amos, Girshick P., 1975, Professionals and Amateurs in Benin Court Carving. African Images:Essays in African Iconology, Ed. Mcall, D.F. and Bay, E.G. New York.

Ben-Amos Girshick, P., 1976a, A la Recherche du Temps Perdu: On Being an Ebony Carver in Benin. Ethnic and Tourist Arts. Ed. Graburn, N.. Berkeley.

Ben-Amos, Girshick P., 1976b, Men and Animals in Benin Art, Man (N.S.)11.

Ben-Amos, Girshick P., 1978, Owina n'Ido: Royal Weavers of Benin, African Arts 11.

Ben-Amos, Girshick P., 1980, The Art of Benin, 1st Edition, London.

Ben-Amos Girshick, P., 1983a, History and Art in Benin, Ben-Amos, Girshick P., and Rubin, A., (eds.), The Art of Power, the Power of Art, Los Angeles:Fowler Museum of Cultural History, UCLA.

Ben-Amos Girshick, P., 1983b, The Power of Kings: Symbolism of a Benin Ceremonial Stool, Ben-Amos, Girshick P., and Rubin, A., (eds.), The Art of Power, the Power of Art, Los Angeles:Fowler Museum of Cultural History, UCLA.

Ben-Amos Girshick, P., 1983c, In Honour of Queen Mothers, Ben-Amos, Girshick P., and Rubin, A., (eds.), The Art of Power, the Power of Art, Los Angeles:Fowler Museum of Cultural History, UCLA.

Ben-Amos Girshick, P., 1983d, Who is the Man in the Bowler Hat? Emblems of Identity in Benin Royal Art, Baessler-Archiv, N.F. 31.

Ben-Amos, Girshick P., 1984, Royal Art and Ideology in Eighteenth Century Benin. Iowa Studies in African Art, Vol.2. Ed.Christopher Roy. Iowa City.

Ben-Amos, Girshick P., 1986, Artistic Creativity in the Benin Kingdom, African Arts.

Ben-Amos Girshick, P., 1988, Ancestral Altars: Testimonials to a Life Well-lived, Proceedings of the May 1988 Conference and Workshop on Material Culture.

Ben-Amos, Girshick P., 1989, Das Edo-Konigreich Benin, Schmalenbach, W., (ed.) Afrikanische  Kunst, Munich.

Ben-Amos, Girshick P., 1991a, A Note on a Lost Woodcarving Tradition from the Benin Kingdom, African Arts, Vol. 24, 2.

Ben-Amos, Girshick P., 1991b, Carvings and Castings aare our Olden Days Photographs: Art and History in the Benin Kingdom, Arts d'Afrique Noire 80.

Ben-Amos, Girshick P., 1992, Contextualising Benin Art, Symposium on Approaches to Benin Art: Past, Present and Future, Metropolitan Museum of Art, New York.

Ben-Amos, Girshick P., 1994, The Promise of Greatness: Woman and Power in an Edo Spirit Possession Cult, Religion in Africa, Ed.Blakely, T..Heinemann.

Ben-Amos, Girshick P., 1995, The Art of Benin, 2nd Revised Edition. British Museum Press.

Ben-Amos, Girshick P., 1997, Village Masquerades of the Benin Kingdom, de Margerie, M., (ed.), Arts du Nigeria, Paris.

Ben-Amos, Girshick P., 1999, Art, Innovation and Politics in Eighteenth Century Benin, Indiana University Press: Bloomington and Indianapolis.

Ben-Amos, Girshick P., 2002, Omada Art at the Crossroads of Colonialisms, (eds.) Landau, P.S., and Kaspin, D.D., Images and Empires: Visuality in Colonial and Postcolonial Africa, University of California Press: Berkeley.

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Ben-Amos, Girshick P., 2007, The Symbolism of Ancestral Altars in Benin, (ed.) Plankensteiner, B., Benin Kings and Rituals: Court Arts from Nigeria,  Museum fur Volkerkunde Wien-Kunsthistorisches Museum, UitGeverij Snoeck Editions/Publishers: Vienna, Austria. 

Ben-Amos, Girshick P., and Omoregie, O., 1969, Keeping the Town Healthy. Ekpo Ritual in Avbiama Village, African Arts vol.II no.4.

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Ben-Amos, Girshick, P. and Thornton, J.K., 2001, Civil War in the Kingdom of Benin, 1689-1721: Continuity or Political Change?, Journal of African History, 42, 3.

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Blackmun, B.W., 1983a, Reading a Royal Altar Tusk, (eds.) Ben-Amos, Girshick P., and Rubin, A., The Art of Power, the Power of Art, Los Angeles:Fowler Museum of Cultural History, UCLA.

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Blackmun, B.W., 1984b, Art as Statecraft: A King's Jusification in Ivory, Geneva: Barbier Mueller Musuem.

Blackmun, B.W., 1987, Royal and Non-Royal Benin: Distinction in Igbesanmwan Carving, Iowa Studies in African Art. Vol.2., Ed. Roy, C. Iowa City.

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Blackmun, B.W., 1997c, Continuity and Change: The Ivories of Ovonramwen and Eweka II, African Arts 30, 3.

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Bondarenko, D.M., 2000a, The Benin Kingdom of the 13th to 19th Centuries: Prehistory and Structure of a Megacommunity, (eds.)  Bondarenko, D.M., and , Sledzevski, I.V., Hierarchy and Power in the History of Civilizations, Abstracts of International Conference, Institute for African Studies Press: Moscow.

Bondarenko, D.M., 2000b, Benin (1st Millenium; 19th Century a.d.) (eds.) Bondarenko, D.M., and Korotayev, A.V., Civilizational Models of Politogeneis, Institute for African Studies Press: Moscow.

Bondarenko, D.M., 2000c, Ancestor Cult and Power in the Traditional Bini Culture (Nigeria), (eds.) Orla-Bukowska and al., Crossing Categorical Boundaries: Religion as Politics: Politics as Religion, EASA: Cracow.

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Bondarenko, D.M., and Roese, P.M., 2000, Ancient Benin: Where Did the First Monarchs Come From?, Slovak Academy of Sciences, Asian and African Studies, Bratislava, 10, 2.

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